Preliminary Bibliography
Cook, Perry, ed. Music, Cognition, and Computerized Sound. An Introduction to Psychoacoustics. Cambridge: The Mit Press, 1999.
Cohen, Jozef. Sensation & Perception: 1 Vision. Eyewitness Series in Psychology. Chicago: Rand McNally & Company, 1969.
Cohen, Jozef. Sensation & Perception: 2 Auditioion & Minor Senses. Eyewitness Series in Psychology. Chicago: Rand McNally & Company, 1969.
Da Pos, Osvaldo, and Elena Zambiabchi. Visual Illusions and Effects: a Collection. Milano: Guerini Studio, 2000.
Deregowesky, Jan B. Distortion in Art: The Eye and the Mind. London: Routledge & Kegan Paul, 1984.
Goldstein, Bruce. Sensation & Perception. Pacific Grove: Books/ Cole Publishing Company, 1996.
Mather, George, ed., et al. The Motion After Effect: A Modern Perspective. Cambridge: The Mit Press, 1998.
Wade, Nicholas. The Art and Sicence of Visual Illusions. London: Routledge & Kegan Paul, 1982.
Cook, Perry, ed. Music, Cognition, and Computerized Sound. An Introduction to Psychoacoustics. Cambridge: The Mit Press, 1999.
Cohen, Jozef. Sensation & Perception: 1 Vision. Eyewitness Series in Psychology. Chicago: Rand McNally & Company, 1969.
Cohen, Jozef. Sensation & Perception: 2 Auditioion & Minor Senses. Eyewitness Series in Psychology. Chicago: Rand McNally & Company, 1969.
Da Pos, Osvaldo, and Elena Zambiabchi. Visual Illusions and Effects: a Collection. Milano: Guerini Studio, 2000.
Deregowesky, Jan B. Distortion in Art: The Eye and the Mind. London: Routledge & Kegan Paul, 1984.
Goldstein, Bruce. Sensation & Perception. Pacific Grove: Books/ Cole Publishing Company, 1996.
Mather, George, ed., et al. The Motion After Effect: A Modern Perspective. Cambridge: The Mit Press, 1998.
Wade, Nicholas. The Art and Sicence of Visual Illusions. London: Routledge & Kegan Paul, 1982.
posted by Rodrigo Redondo at 6:35 AM
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